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Art And Wine Makers
While Wine Makers Wait For Teleportation Services, Art Makers Can Make Conections And Sale Their Products Or Services With More Control And Less Risks.
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Make Sure You Fill Out Your Forms Or Make One If Not Provided About What You Want Delivered For Yourselves Or Love ones As Part Of The One Man Request Operation.
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Please "B" Patient And Find A Spot On The Lower Dirt Road Of Loma De Prado, Municipio De Lagoos De Moreno Jalisco, Mexico. Make Sure You're Not The Last One! As A Reminder First Come First Served.
Orgiastic body art, a Midlands meme and Hockney meets the Pharaohs – the week in art
A fresh look at Carolee Schneemann's pioneering performance art, 'four lads in jeans' immortalised in bronze, and new visions of ancient Egypt – all in your weekly dispatch
Detail from Paul Delaroche, Edward V and the Duke of York in the Tower, 1831, showing in The Lost King: Imagining Richard III at theWallace Collection. Photograph: Trustees of the Wallace Collection, London
Treefrog pool party by Brandon Güell For this photograh, highly commended in thewildlife photographer of the year contest, Güell waded chest-deep into murky water in the Osa peninsula where a gathering of male gliding treefrogs were calling. At dawn thousands of females arrived at the pool to mate and lay their eggs on overhanging palm fronds. Here, unmated males search for females to mate with. • See more of the best work in this year's contest here
Melancholy III by Edvard Munch, 1902 This is one of Munch's gentler works. It savours gloom like like a fine wine. We don't know why the young man sits in sad introspection by the shore, contemplating those dark Nordic waters. But there's a philosophical acceptance to his pose and perhaps a hint of creativity. For this is a portrait of "melancholy", not madness. The way the youth rests his head on his hand repeats the conventional pose of melancholy in medieval and Renaissance art - most famously Albrecht Dürer's engraving Melencolia I. Dürer's image of Melancholia as a winged "genius" surrounded by tools of sculpture and architecture identifies this mood with the visionary darkness of the artist. This is Munch's own acknowledgment that his art is born of inner suffering. • British Museum, London
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