New YorkOctober 5, 2022 • View in browserYour Concise New York Art Guide for October 2022Your list of must-see, fun, insightful, and very New York art events this month, including Xaviera Simmons, Cristina Iglesias, Mire Lee, and more. | Billy Anania
SPONSORED Hypnotic and raw, CROWD comes to BAM for only three performances!Time ebbs and flows in this hypnotic work from acclaimed choreographer Gisèle Vienne, which captures moments of explosive synchronicity and dreamlike suspension. “In Vienne’s gestural choreography, both sensual and raw, emotions come into deeper focus through cinematic effects,” writes The New York Times. “And it’s all newly relevant.” Photo by Mathilde Darel OPENING THIS WEEKEND General Idea, “Continental Poodle (Pink) Dexter” (1992) (private collection, courtesy The Drawing Center) Ecce Homo: The Drawings of General Idea General Idea was a collective guided by a radical queer politics and a performative orientation. Drawings executed in the spirit of mass reproduction between 1985 and 1993 spotlight motifs like poodles, stilettos, and masks. Ibrahim El-Salahi: Pain Relief Drawings 92-year-old Sudanese-born artist Ibrahim El-Salahi, a founding member of the Khartoum School, presents 100 recent pen and ink drawings on the theme of pain, which he regularly experiences as a nonagenarian. Visual Record: The Materiality of Sound in Print Print Center New York (formerly the International Print Center New York) will inaugurate its new Chelsea space with an exhibition teasing out the resonances between sound-recording and printmaking. UPCOMING OPEN STUDIOS Gowanus Open Studios EFA Open Studios SPONSORED What Does It Mean To Be a Native New Yorker?The National Museum of the American Indian’s exhibition Native New York wants to change how visitors see Native people and New York State. Learn more. LATEST REVIEWS The Seductive Music of James Joyce’s UlyssesUltimately the legacy of the classic modernist novel may reside in how attentively and scrupulously it concentrates on the music of tentative, shambolic, open-ended urban lives. | Tim Keane Alone in a Dirty, Sacred SpaceWhatever else Mire Lee’s Carriers is about, it seems to me that has to do with sending you back into yourself, which is not necessarily a soothing place. | John Yau Kapwani Kiwanga Uses Daylight to Expose Racial SurveillanceKapwani Kiwanga invites viewers to look with only the quiet glow of natural light seeping in through the skylights, illuminating a nuanced way of seeing race. | Zoë Hopkins Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. CLOSING SOON Robert Colescott, “A Visit from Uncle Charlie” (1995) (image courtesy of The Weatherspoon Art Museum at UNC Greensboro © 2022 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York) Art and Race Matters: The Career of Robert Colescott Archeology of a Studio Nafas Doreen Lynette Garner: REVOLTED Kapwani Kiwanga: Off-Grid Black Melancholia Eva Hesse: Expanded Expansion ON VIEW IN MUSEUMS Mire Lee: Carriers For the Birds Selections from Australia’s Western Desert: From the Collection of Steve Martin and Anne Stringfield Domesticanx Elissa Blount-Moorhead and Bradford Young: Back and Song Another Justice: US is Them Dior + Balenciaga: The Kings of Couture and Their Legacies at The Museum at FIT through November 6 Wangechi Mutu Leilah Babirye, Hugh Hayden, Dozie Kanu, Tau Lewis, and Kiyan Williams: Black Atlantic Tomashi Jackson: SLOW JAMZ |
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