 December 20, 2022Good morning. 🌤️ Let us start with some positive news: The art nonprofit Artadia, which distributes grants to artists across the United States, increased its cash awards by $5,000 to meet inflation. In a rare move, the organization is also raising the amount retroactively for recent recipients. Kudos to them. The next story is disturbing, and it's about photography curator and artist Efrem Zelony-Mindell who was arrested last week on charges of attempted child molestation. Also today, John Yau on Xylor Jane’s meticulously crafted grid paintings, Anna Souter on a Carolee Schneemann retrospective in London, and Sarah Rose Sharp on the pleasure of landing on an excellent exhibition catalogue. — Hakim Bishara, Senior Editor  In Praise of the Exhibition CatalogueShary Boyle’s Outside the Palace of Me exhibition catalogue provides viewers with experiences that an in-person visit cannot. | Lauren Moya Ford SPONSORED  University of Michigan’s Stamps School of Art & Design Offers a Unique MFA ExperienceThis top-ranked, highly selective graduate program supports its students as they pursue diverse creative practices. Learn more. WHAT'S HAPPENING
SPONSORED  National Museum of Singapore Presents the First Doraemon Exhibition Held Outside of JapanContemporary art, original sketches, and more explore how the Japanese character sprung from the pages of a manga and became a global cultural sensation. Learn more. REVIEWS & MORE  Xylor Jane’s Cosmic GridsThe rules that structure Jane's paintings take her to some place strange and fascinating, beautiful and perplexing, mind-boggling and riveting. | John Yau SPONSORED  The Broad Presents William Kentridge: In Praise of ShadowsThis immersive, multi-sensory exhibition in LA surveys 35 years of Kentridge’s practice through drawings, film, sculpture, installation, and more. Learn more,  The Pleasures and Pain of Carolee Schneemann's Body PoliticsSchneemann's art actions laid bare the continuity between the female body, feminist writing, and sociopolitical acts of protest. | Anna Souter  How a Landmark Feminist Show Got Erased From Collective MemoryArt critic Lucy Lippard’s first outing as a feminist curator in 1971 has, until recently, been almost entirely absent from history. | Alexandra Schwartz Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. FROM OUR STORE  Store Gift CardGive your loved ones the gift of choice with a gift card to our online store! They're delivered by email with instructions to redeem them at checkout. |
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In Praise of the Exhibition Catalogue
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