December 17, 2022What a week it's been. As the world's Have we had enough of selfies with art? One museum guard thinks so, and it's worth a read. Also, an extraordinary medieval gold necklace is discovered in England, the Cincinnati Art Museum discovered a self-portrait under one of Cézanne's still-life paintings, and a report by Hall W. Rockefeller considers the safety issues for women during studio visits. Now, I want to write a little about John Yau, the brilliant art critic who has penned reviews for Hyperallergic since 2011 (can you believe it?!). His review of Anselm Kiefer's exhibition at Gagosian gallery this week was a great example of why he's such a fantastic writer. This line alone is pure whatever-that-is-he-puts-on-his-canvases-is 😂:
I mean, is there anything else to say? — Hrag Vartanian, editor-in-chief Visitors at the Palais des Beaux Arts in Lille, France, indulging in a selfie (photo by J.M.Dautel via Wikimedia Commons) Enough With the Selfies; Look at the ArtMuseum guard Dereck Stafford Mangus urges museumgoers to put their phones down, just for a minute. | Derrek Stafford Mangus
SPONSORED Jerry Saltz Shares Five Things He’s Learned About Where Art and the Art World Are NowJoin Pulitzer-Prize winning Jerry Saltz online this Sunday. Discover five things he’s learned about the remarkable advances refashioning the art world — and why we’re living in one of the most momentous moments in art since the Renaissance. Almost as good: View Jerry’s personal video invitation to this live class. NEWS THIS WEEK Cézanne’s self-portrait under “Still Life With Bread and Eggs” (1865)
Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. SPONSORED Singapore Art Week 2023 Celebrates a Dynamic Arts CommunityThis January, Singapore’s signature visual arts season kicks off with 10 days of over 130 art experiences including fairs, talks, tours, and more. Learn more. AMPLIFYING VOICES Mural by Cloe Hakakian and Todd Goodman (photo by and courtesy Impermanent Art) Murals in LA Lift the Voices of Iranian ProtestersMurals by Iranian-American artists across the city are inescapable reminders of the regime’s ongoing brutality. | Matt Stromberg
SPONSORED The Broad Presents William Kentridge: In Praise of ShadowsThis immersive, multi-sensory exhibition in LA surveys 35 years of Kentridge’s practice through drawings, film, sculpture, installation, and more. Learn more. SPOTLIGHTING ARTISTS Installation view of Anselm Kiefer: Exodus at Gagosian, New York; "Danaë" (2016–21) (photo by Rob McKeever, courtesy Gagosian) You Can’t Coat the Holocaust With GoldAnselm Kiefer’s philosophy has its roots in German Romanticism, particularly the belief that the artist can mediate between the creative and the divine, between earth and heaven. | John Yau The Stirring Political Etchings of Nicolás De JesúsThe Mexican artist’s works reveal the radical possibilities of an indigenous sensibility charged with a keen awareness of politics and art history. | Faye Hirsch Pat Steir Accepts Time’s Passage With GraceSteir’s work of the ’90s was the result of physically demanding processes. What happens when you cannot do what you once did? | John Yau SPONSORED University of Michigan’s Stamps School of Art & Design Offers a Unique MFA ExperienceThis top-ranked, highly selective graduate program supports its students as they pursue diverse creative practices. Learn more. NEW NARRATIVES Sophie Vallance, “Tiger Diner” (2022) (courtesy Mrs.) An Exhibition of Cat Art Worthy of a MeowseumA new show at the Queens gallery Mrs. proves that dogs may be man’s best friends, but cats are humans’ idols. | Elaine Velie Resisting Superficial Narratives About the US-Mexico BorderWhen the Dogs Stop Barking reflects the complexities, and foolishness, of geopolitical limits. | Edgar Picazo Merino Wildfire Ash as a MediumMeet the artists who use ash and residue from natural disasters to send an urgent message about the environmental calamity unfolding before us. | Scotti Hill SPONSORED The Public Theater’s Under The Radar Festival Lights Up NYC This JanuaryThis adventurous theater festival returns in person with 36 artists and companies from nine countries performing at different venues across the city. Learn more. MORE ON HYPERALLERGIC A still from The Line by Cameron Granger, one of several films that will be screened at the Maysles Documentary Center (courtesy Cameron Granger) Six Films That Plumb the Possibilities of Prison AbolitionThe shorts will be screened as part of XO & Struggle: An Evening of Abolitionist Cinema at the Maysles Documentary Center in Harlem, New York. | Elaine Velie For Women Artists, Studio Visits Can Be Risky BusinessPersonal safety concerns have pushed some women and trans artists to forgo studio visits, further narrowing their access to opportunities in the art world. | Hall W. Rockefeller A Fresh Look at Flowers in PhotographyCan photographers capture the vitality of flowers compellingly, innovatively, and beautifully? A new book gives a resounding yes. | Lauren Moya Ford A Forgotten Modernist Finally Gets His DueArchitect Jean Welz worked in a socially engaged style that transcended individual pursuits for glory. | Billy Anania Required ReadingThis week, a rise in nuclear fusion, the downfall of the “COVID billionaire,” holiday string lights with a twist, and how many people would actually return a lost wallet? | Hrag Vartanian and Lakshmi Rivera Amin Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. |
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